Animefest: WIP and Whoosh Away

Hello, blogworld! Did you miss me? I've missed you. Alas and alack, health issues have kept me pretty well sidelined this summer. I'm not quite out of the world yet, though! I'm heading out the door to a convention tonight, and when I get back, we'll have a nice big postfeast, all right?


Meantime, look! Stuff I've been working on! I'm not quite satisfied with where these pictures are now, but maybe seeing them on screen, or even getting some feedback, will help?

Art Practice: Foxy

I've been in a weird spot, artwise, for the last year or so. I'm working constantly, because I keep seeing these fantastic techniques I want to try, and I feel like I'm thiiiiis close to understanding the first thing about color theory, and of course I'm still trying to train my right hand up with animal sketches (though I haven't posted those in a while, the work continues!)

But all this attempted improvement is seriously slowing down production! So one of the new things I'm trying is a faster coloring method taking blatant advantage of the fact that, hey, I have a new computer and it can do things!

My idea of "quick" turns out to suddenly be "four hours of work", but that's because I felt the inexplicable need to make a fancy new drawing instead of something basic. You see my production problem!

Anyway!

I like the look; I'm gonna mess around a little more with basic line art and fix the obvious spilled colors, but I think this one might actually grow into a real piece one day!

What do you think, blogcomments? How often do you change up your work technique? Do you thing it's worth the hassle? Is there even a choice?

Return of Son of Sketches of the Week!

Does anyone still come to this thing?

I have been horribly negligent in my blog maintenance. I know this. I regret to say I will probably continue to be pretty awful about it. The craziness of the summer season plus the need to, y'know, actually MAKE SOME ART to share has kind of commandeered my time. If anyone wants to chat, I'm generally over on Twitter!

But if people want to look at my pictures, they can still come here! Check it out:

I've found a lovely group that provides really fun sketch prompts, so at least I should be back in the swing of that for a while. And some of those might become real pictures! You never know.

Also! I am working on a Super Secret Project. Don't want to jinx it, but maybe Monday there will be some hint.

Kinkajou and A Kangaroo (rat)

Out of all the beasties I've drawn, this couplet really shows the least distinction between my left and right side. Like, eerily little distinction. If only every pic I set out to draw was like that, I'd no longer have to fear my constantly self-destructing left shoulder.

I must say I am seriously disappointed in The Book of Mammals for giving so little time or attention to the Kangaroo Rat. I'm generally not a fan of verminbeasts, but Kangaroo Rats are pretty awesome. Look at those tails! Or rather, look at THAT tail, since the book only gave me one lousy KR picture. Feh and weeping.

But I'll forgive it for all the awesome Kinkajou action. You can't say Kinkajou and be unhappy, that's a Science Fact. Try it.
Also an (actual) Science Fact: Kinkajous can turn their feet backward to climb down trees! If you could read my notes, you'd know that already! But since I have artistic handwriting (it's not bad, it's an interpretive rendition!), you probably did not.

Share a weird fact with me in the comments!

Koalas Make the Derpiest Faces

Seriously. Every koala pic in the book has an expression that can only be described as "derp".

Except for one, who appears to be laughing boorishly at an awful joke.

An unfortunate fact about koalas: they are very hard to draw without making them turn into Fozzie Bear.There's a certain inherent puppety felt nature to those padded cheeks and floofy ears. I would try to overcome it, and express the true savage beastial nature of the dropbear, but..nah. That pretty much IS their nature, really.

One thing I find interesting as I go on this project: my right hand, while clearly weaker and less practiced than my left, is also clearly still MY hand. My essential style doesn't seem to change much. But the way I look at my references changes a lot from hand to hand; I have very little urge to cartoon or compose, working right handed, but I do have a more conscious awareness of light and basic shape. Not expected, but interesting...

Sketcherie: Lemurs!

At first I thought, hey, I'll post up my mammalian sketches every day! Then I realized that (a)that would get really tedious, and (b) that would end up with all you poor following folk seeing things like The Day of the Lemmings. To summarize what I learned from drawing lemmings:

Lemmings are really, really boring to draw.

Seriously they're just little circles with dots for eyes. I was bored like a softwood pine under a devastating beetle onslaught. Did I mention I make myself draw every creature for thirty minutes apiece with either hand? Because I do! A solid hour of fuzzballs, ugh.

But see, you don't have to see or hear about that (the above rant was only a sample of my boredom-induced ravings. Trust me, I COULD GO ON.) thanks to the power of procrastination planning! Planning and saving material! Yes!

Instead, here are several pages of lemurs, some of the most fantastically fun and drawable creatures on Earth.

One thing that's really baffling me so far is how to draw the distinction between fur-texture and shading in a grayscale media. One of these lemurs especially had some serious fur ruffles on its limbs- but trying to draw that in, it looks like he's just striped. Fur-portraying advice, anyone?

Hiatus? What Hiatus?

I haven't been slacking! I've been sketching! Look, some kangaroos. Drawn right AND left handed.  Because I WILL get the full benefit of my ambidexterity, consarn it.

Why kangaroos? Why two pages of kangaroos, not to mention the painting drying in my studio? Well...


I have never drawn a really good tiger.

This may not seem like a terribly important fact. Rarely does the fate of the world depend on an immediate skillful rendition of tigerhood. But I really WANT to draw a good tiger. Tigers haunt my migraine auras. They chase me in dreams (where they like lollipops and where vests) and are unspeakably gorgeous in real life, and I routinely get ideas for tiger-based pictures.

That I don't draw. Nor do I draw the random ideas for pictures based on llamas, elephants, harp seals, koati or zebu cattle. I don't draw these things because I can't draw them, and I can't draw them because I don't draw them. Not only am I a Hack*, I am A Hack of Very Little Experience. And this is not entirely my fault- I've had other things to occupy my time in this particular go 'round on the Life board-- but of all the things that interfere with my Arting Fun Times, a lack of drawing experience is the only one I can definitely alter.

At least with the help of good photo reference.

Hence my great glee at finding the National Geographic Book of Mammals in the clearance bin at the local Cheapo Bookstore. As far as I can tell, it exists for no other purpose than to give Hacks a great slab o' photo reference. So I'm planning to spend the year drawing my way from kangaroos to zebras, a new beastie every day. Maybe I'll get some finished pieces out of the deal, maybe not. But at least, when I next want to draw a Koatimundi, I'll have a basic idea of where to begin.

Oh.

And if it takes the rest of the year, I will draw a really GOOD tiger.


* I am a hack, oh yes I am, never doubt it or challenge me on that. But the Talent Rant is for another day.