Most of the sketches I've been doing right-handed have been from photos. I have a collection of wonderful magazines like National Geographic, Smithsonian, Scientific American- all with excellent and inspiring photos. And while it would of course be utterly tack to try and steal use of the photos for gain, I don't think something like this:
is going to be taking food out of a photographer's mouth any time soon.
These two were taken from an article on Mexico; photos of a luchador wrapping his muscles and a musician waiting to play. I don't think either of these proud performers would care that a weak-wrist artist in Texas was inspired by their angles, but: Thanks, guys! You've been a big help!
It's been a long time since I did this much sketching-from-reference, actually, and that's a failing on my part. There's a danger in the sort of illustrative/stylized work I do of forgetting the basics. It's like spending so much time on a trampoline that you can't stand on solid ground. So it's good to reconnect. More than that, though, I feel like all this right-handed practice (believe me, I'm only showing a tiny sliver of it here) is teaching my brain forms in a way I haven't grasped before. I can feel the way I think about drawing changing.
Mind you, all of this awesome new learning is actually making my work in the moment kind of horrible. But that's a topic for another day...